
Poliorkia
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输入演员的中文名或英文名,先确认人物,再查看其参演电影(含配音,不含电视剧)。

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Aleka Paizi (Greek: Αλέκα Παΐζη, Heraklion, Crete, 1919 - Athens, 4 February 2009) was a Greek actress. She studied at the Drama School of the National Theatre. Her family was financially comfortable, as her father was a tobacco manufacturer and experienced difficult times when he lost his business. She made her theatre debut in 1941, playing Susanna in Carlo Goldoni's Fan, on the Main Stage of the National Theatre. In 1945 and 1946 she participated in the theatre group "United Artists", which was founded by order of the KKE as the cultural arm of the party. In 1946, she formed a troupe with Dimos Starenios and Tito Vandis, her first husband. She collaborated with the troupe of Kostas Mousouris, Katerina, Elsa Vergi and others. From 1963 to 1966, she performed various roles in plays by the State Theatre of Northern Greece. She made her film debut in 1957, in the film Barba-Yiannis, the juggler. She also played in the films O Mimikos kai imairi by Grigorios Xenopoulos, To paid tou dromo by T. Aliferis, Synikoia to oneiro by Alekos Alexandrakis, etc. Abroad, she worked in Italian cinema. She also appeared on television, most famously in the role of Chrysostomi in Pantheoi by Tasos Athanasiadis, directed by Vasilis Georgiadis. On 28 November 1994, at an event of the Hellenic Theatre Study and Research Centre, she was awarded the "Marika Kotopouli" award for her overall contribution. In 2008, she participated in the exhibition and corresponding photographic album of nude portraits entitled "White Book" by photographer Takis Diamantopoulos. Aleka Paizi was also a leftist activist: she participated in the National Resistance during the Occupation, through EAM and the KKE, she passed through Makronissos, Trikeri, and was arrested several times. After the declaration of the dictatorship in April 1967, she fled abroad. Returning to Greece after the Revolution, she collaborated with Leonidas Trivizas's People's Experimental Theatre, with Manos Katrakis, with Karolos Koun's "Karolos Koun" Art Theatre, etc. She died on 4 February 2009, after a long health crisis, about a month before her starring role in "Moonlight Sonata", a stage adaptation of the poem by Yannis Ritsos, having served the theatre for more than 60 years. She was buried in the Second Cemetery of Athens, in a family grave.
人物资料来源:TMDB从参演电影片单按 TMDB 评分人数选取。
电影背景图,不保证每张都有人物本人出镜。

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这位极具挑衅性的意大利电影导演埃利奥·佩特里在国际上最受赞誉的作品,便是这部荣获奥斯卡奖、令人震撼且直击人心的杰出惊悚片。在讲述一位罗马警探调查一桩令人发指的罪行——而凶手正是他自己——这一卡夫卡式故事时,佩特里巧妙维系了荒诞与写实间的平衡。影片既是对人物的深刻剖析,亦是对1960年代末至70年代初意大利政府高压镇压的尖锐评论。佩特里对超现实官僚体系的动态描摹,呈现出一幅反常又愉悦的受控混乱图景。[标准收藏]

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兴师动众地最后来这一出,果真很像《魔鬼圣婴》;色彩漂亮,意大利的恐怖片都如此讲究光线,还不忘小情色一下;利用猫眼制造的主观镜头惊悚感,旋转楼梯产生的晕眩感。

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一个制药企业的老板(Mastroianni饰)带着情人要去度周末,结果被一伙抢银行的无政府主义者劫为人质。在警方和媒体的追踪下,劫匪和人质展开了一段让人哭笑不得的旅程……一部全方位讽刺意大利社会现状的电影,富豪、无政府主义者青年、法西斯遗老、警察、电视……

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