Der Fluch der Vererbung
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输入演员的中文名或英文名,先确认人物,再查看其参演电影(含配音,不含电视剧)。

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Forgotten today, Marcella Albani was an idol of the European cinema in the final years of the 1920s, making dozens of films in five different countries (Italy, Germany, Austria, France and Czechoslovakia). After sound came, her popularity declined and she turned to writing. One of her novels "La Città dell'amore" was even adapted for the big screen by Mario Franchini, her husband. She went on acting until 1936. After a final appearance in Luis Trenker The Kaiser of California (1936), she retired from acting and led a peaceful life at the Ligurian Coast. Born in 1899, Marcella Albani had been discovered twenty years afterward by writer-director Guido Parish with whom she formed a very successful team. The couple made nearly all their respective films together (mainly tearjerkers and adventure yarns) until 1924 when they parted company. Their first movies were made in Italy until Parish decided to go to Germany. Marcella followed her mentor - who had changed his name to Guido Schamberg - there, and she met with instant success. Very exotic as the elegant Latin lady against a German backdrop, she enraptured German males in flicks such as Frauenschicksal (1923), Das Spiel der Liebe (1924) or Die Flucht in den Zirkus (1926). When she became freelance, she was occasionally chosen by important directors like Joe May, Friedrich Zelnik' or William Dieterle. One thing leading to another Marcella Albani made no fewer than fifty-odd films in only seventeen years. She was not even sixty when, having fallen into oblivion, she died of a brain tumor. Will she be rediscovered some day? - IMDb mini biography by: Guy Bellinger
人物资料来源:TMDB从参演电影片单按 TMDB 评分人数选取。
电影背景图,不保证每张都有人物本人出镜。
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《加利福尼亚皇帝》(德语:Der Kaiser von Kalifornien)是一部1936年的电影,是纳粹德国制作的唯一一部西部电影。几乎所有的外部场景甚至都是在加州拍摄的。 这部电影讲述了约翰·萨特(John Sutter)或约翰·苏特(Johann Suter)的生活故事,萨特磨坊的老板,萨特磨坊以1848年加州淘金热的发源地而闻名。 虽然保留了萨特生活的基本故事,但制片人插入了一些显著的变化,反映了电影创作的政治环境:虽然萨特是瑞士裔德国人,但电影强调了他的德国种族,尽管他来到美国时改名为约翰·萨特,但在整个电影中,他保留了约翰·苏特这个名字。除此之外,这部电影几乎没有强调民族概念,因为苏特的手下被描绘成来自世界各地的移民,而不仅仅是德国。 这部电影用努力工作创造的财富和价值观反对了淘金的“轻松”赚钱,因为淘金热最终摧毁了苏特的财富,造成了社会解体,失去了团结和陪伴。

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